Notes from the Studio

5
24
2010

behind the scenes of "The Darkness"

 

Here are some behind the scenes photos form the making of my video, “The Darkness.”

One of my goals with this project was to see if I could make the video without using any of my hot lights or renting any additional equipment. Could a still photographer rely on “still” lighting equipment and not need to rent “video lights”?

I used the Canon 5D MK II to make the video. All my lighting was created using my Profoto strobes, but using only their modeling lights. Modeling lights aren’t made to light complete sets but rather to give you an idea of what the stobe light is going to look like when if fires off. Because of this they are low powered lights, I compensated by shooting at ISO 800.

For the motion I used either the zoom and focus on my lens or a Steadicam Merlin. While I was filming the section with the chrome lamp (with the steadicam) my reflection was very prominent. I had to cover my face and hands with black fabric to minimize my reflection!

Both the opening shot with the two white desk lamps and the closing shot of the group of lamps were captured using stop motion. I used Capture One to shoot tethered with the Canon 5D. The photos were then brought into Aperture to resize and touch up. Dust was really obvious on the black surfaces, yet with Aperture I was able to clean the dust off one photo and then apply it to all the other photos—saving my hours of work.

In order to turn the wire lamp so smoothly I used an old VR turn table. It was nice to be able to repurpose equipment I had on hand in the studio. And speaking of repurposing—the long plugs of the hanging lamps originally had lots of kinks in them. A good trick to straighten them out is to use a hot hair dryer. Finally, I used Final Cut Pro to assemble all the stop motion photos and video.

It was a fun process. If you haven’t already you can see the video here. http://www.peterbelanger.com/posts/69-video-the-darkness

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Comments

  1. Avatar

    Peter, you blow me away with all of this. One question-in the video, when each light turned on, was that the actual light that turned on, or a studio light shining on it. If it was the actual light, how did you turn it on without having you film your hand? Also, how did you make the lights dangle and move back and forth?

  2. Avatar

    Hey Alex! I’m glad you enjoyed the video. To answer your first question, I’ll refer to the group shot at the end of the video. Yes, only the light from the bulbs of the lamps were used. I turned them on and off by having my assistant plug and unplug each light from the outlet one at a time.

    The dangling lamps were hanging from C-stand arms that were out of the frame. We pulled them back and released to swing back and forth. This took a few tries to get them to swing and settle as smooth as possible.

    Hope this helps Alex! Thanks again for your enthusiasm.